Graf van den Radja van Doula - Adrianus Johannes Bik
Archival giclée
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Description
A precise nineteenth-century lithograph by Adrianus Johannes Bik, documenting the funerary architecture of the Raja of Doula in the Dutch East Indies.
This lithograph by Adrianus Johannes Bik depicts the tomb of the Raja of Doula, a structure encountered during the Dutch East Indies expedition of the 1820s. Bik, a Dutch artist and official who spent significant time in the Indonesian archipelago, produced a series of visual records documenting the architecture, customs, and geography of the region. This work captures the specific vernacular style of the funerary monument, characterised by its elevated thatched roof, curved gables, and stone base.
The drawing style is precise and observational, typical of nineteenth-century colonial documentation. Bik employs fine lines to render the texture of the thatch and the stonework, providing a clear, objective view of the site. The inclusion of a small flag atop the roof and the surrounding vegetation suggests an attempt to place the structure within its specific environmental context. The composition is centred and isolated, focusing the viewer entirely on the architectural form rather than the surrounding terrain.
Such prints were often produced to accompany travelogues or official reports, serving as a visual archive for European audiences curious about the East Indies. The work reflects the period's interest in ethnographic and topographical recording. By stripping away extraneous detail, Bik provides a clean, legible study of the tomb. The print retains the original caption, which identifies the subject clearly, maintaining its function as a historical document. The aged paper tone and slight foxing visible in the original print are preserved in this reproduction, offering a sense of the work's provenance as a nineteenth-century archival object. This piece is suitable for those interested in colonial history, architectural studies, or the history of travel illustration.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Graf van den Radja van Doula - Adrianus Johannes Bik
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