Group of Men at Kitano Tenmangu Temple, Kyoto - Kusakabe Kimbei
Archival giclée
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Description
A late nineteenth-century albumen print by Kusakabe Kimbei, capturing a group of people gathered beneath the eaves of the Kitano Tenmangu temple in Kyoto.
This albumen print by Kusakabe Kimbei captures a scene at the Kitano Tenmangu temple in Kyoto during the late nineteenth century. Kimbei, a former assistant to Felice Beato and Baron Raimund von Stillfried, operated a successful studio in Yokohama. His work catered to the growing demand from international travellers for images of Japanese life, architecture, and customs. The photograph displays the characteristic sepia tones of the albumen process, a medium popular for its ability to render fine detail.
The composition focuses on the temple's structure, specifically the eaves adorned with numerous votive tablets, known as ema. These wooden plaques, typically featuring paintings or calligraphy, were offered by worshippers to the deity. Beneath the shelter of the temple building, a group of men and children stand, providing a sense of scale and human presence. The surrounding environment includes stone lanterns and mature trees, typical of the grounds of a major Shinto shrine. The octagonal framing of the image is a stylistic choice often found in period albums, intended to create a decorative presentation for the viewer.
Kimbei's technical proficiency is evident in the balance between the shaded area under the temple roof and the brighter, sun-dappled exterior. The photograph functions as a historical record of the Meiji period, documenting both the architectural traditions of Kyoto and the attire of the local population. By the time this image was produced, Kimbei had established himself as one of the most prolific photographers in Japan, with his studio producing a vast catalogue of views that shaped Western perceptions of the country. This print offers a glimpse into the daily activity at a site of religious importance, preserved through the lens of a master of early Japanese photography.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Group of Men at Kitano Tenmangu Temple, Kyoto - Kusakabe Kimbei
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