Hadis-i Şerîf (Calligraphic Manuscript) - Sheikh Hamdullah
Archival giclée
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Made to order
Description
A fine art print of a Hadis-i Şerîf manuscript by the master Ottoman calligrapher Sheikh Hamdullah, featuring precise Naskh script and gold illumination.
This piece displays the mastery of Sheikh Hamdullah, a figure who redefined the aesthetic standards of Ottoman calligraphy. Working during the late fifteenth and early sixteenth centuries, Hamdullah refined the Naskh script, moving away from the heavier styles of his predecessors towards a more balanced and fluid form. This specific manuscript page features a Hadis-i Şerîf, or a recorded saying of the Prophet, rendered with precision and clarity.
The text is arranged in horizontal lines, demonstrating the rhythmic spacing characteristic of the master's hand. The ink remains dark against the aged paper, while small gold discs act as punctuation marks between phrases. These markers provide a visual pause, guiding the reader through the moral and philosophical content of the text. The border, painted in a muted ochre tone, frames the central block of writing, maintaining a focus on the script itself.
Hamdullah's influence on the development of the Ottoman school of calligraphy is immense. His approach prioritised legibility and grace, qualities that became the benchmark for subsequent generations of scribes. By standardising the proportions of the letters, he created a system that allowed for both technical rigour and individual expression. This print captures the texture of the original paper and the subtle variations in the ink, offering a view into the tradition of Islamic manuscript production. It is a study in discipline, where every stroke serves the clarity of the message. The work reflects the high status of the written word in Ottoman culture, where calligraphy was considered the highest form of visual art. This reproduction maintains the integrity of the original composition, allowing for an appreciation of the letterforms and the historical context of the Ottoman period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Hadis-i Şerîf (Calligraphic Manuscript) - Sheikh Hamdullah
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