Hair / Ear Ornament, One of a Pair - Unknown Artist
Archival giclée
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Description
A detailed photographic study of a 19th-century Indian gold and pearl hair or ear ornament, showcasing traditional metalwork and design.
This piece represents a traditional form of South Asian jewellery, designed to be worn as a decorative hair or ear ornament. The construction features a vertical chain composed of three parallel strands of faceted gold beads, which connect to a central circular pendant. The pendant is bordered by a series of small, lustrous pearls, providing a contrast to the warm, metallic tone of the gold. A secondary, smaller disc sits adjacent to the main pendant, adding a layer of geometric variation to the composition.
Such ornaments were often crafted by skilled goldsmiths using techniques passed down through generations. The use of gold and pearls indicates the status of the wearer, as these materials were highly valued in regional traditions. The design balances functional utility with aesthetic appeal, incorporating a hook at the top for secure attachment. The faceted nature of the beads catches light, creating a subtle play of shadow and reflection across the surface of the object.
Historically, these items were part of a larger ensemble of personal adornment, often worn during weddings or festive occasions. The craftsmanship reflects a specific regional aesthetic, prioritising symmetry and the repetition of geometric forms. While the exact provenance remains unrecorded, the style aligns with nineteenth-century Indian jewellery traditions. The object serves as a record of historical metalworking practices, demonstrating the precision required to assemble such small, articulated components. The print captures the texture of the gold and the soft sheen of the pearls, offering a clear view of the construction methods employed by the maker. This visual record allows for an examination of the material culture and the decorative preferences of the period, documenting the technical skill involved in creating wearable art.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Hair / Ear Ornament, One of a Pair - Unknown Artist
Artist Biography
Unknown Artist
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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