Hakone, from the series Fifty-three Stations of the Tokaido - Utagawa Hiroshige
Archival giclée
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Description
A classic woodblock print by Utagawa Hiroshige depicting travellers navigating the steep mountain pass of Hakone, featuring traditional Japanese calligraphy.
This woodblock print by Utagawa Hiroshige depicts the mountain pass of Hakone, a difficult segment of the Tokaido road that connected Edo to Kyoto. As part of the Kyoka iri Tokaido series, this edition incorporates kyoka, a form of humorous or satirical poetry, into the composition. The visual narrative focuses on a group of travellers navigating the steep, rocky path, assisted by porters carrying palanquins. The red banners or torches held by the figures provide a sharp colour contrast against the muted, grey-toned mountains that dominate the background.
Hiroshige uses a flattened perspective to organise the scene, placing the travellers on a diagonal path that guides the eye through the mountainous terrain. The pine trees, rendered with characteristic economy, frame the steep incline and provide a sense of scale. The print captures the atmospheric conditions of the region, with the mist-filled valleys and sharp peaks suggesting the rugged nature of the Hakone pass. The inclusion of text within the image area is a hallmark of this specific series, blending graphic design with pictorial representation.
Technically, the print demonstrates the precision of the ukiyo-e process. The registration of the blocks allows for the clean separation of the figures from the background, while the subtle gradations in the mountain shading show the skill of the carvers and printers involved in the production. This work offers a glimpse into the travel culture of the Edo period, documenting the physical exertion required to traverse the Japanese interior. It remains a clear example of Hiroshige's ability to balance human activity with the imposing presence of the natural world.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Hakone, from the series Fifty-three Stations of the Tokaido - Utagawa Hiroshige
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