Head of a Peasant Woman in a Green Shawl - Vincent van Gogh
Archival giclée
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Description
A sombre portrait of a peasant woman, painted by Vincent van Gogh in 1885 during his Dutch period.
Painted in 1885 during his time in Nuenen, this portrait belongs to a series of studies Vincent van Gogh produced of local peasants. These works reflect his interest in the lives of rural labourers, a subject he approached with directness and a sombre palette. The artist focused on the physical features of his sitter, using heavy brushwork to define the contours of the face and the texture of the clothing.
The composition is tight, focusing entirely on the subject against a dark, indistinct background. The light source is subtle, catching the bridge of the nose and the lips, which gives the face a sculptural quality. Van Gogh employed a restricted range of earth tones, punctuated by the muted green of the shawl, which provides a quiet contrast to the dark shadows surrounding the figure. This approach to portraiture shows his early interest in capturing the character of his subjects through thick paint application and honest observation, rather than idealised representation.
This work is part of a larger body of studies that preceded his more famous later works. It demonstrates his early technical development, particularly his ability to convey mood through colour and brushstroke. The painting is a study of human form and light, stripped of unnecessary detail. It remains a clear example of his focus on the working class during his Dutch period, where he sought to depict the reality of rural life. The painting is currently held in the collection of the Art Institute of Chicago.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Head of a Peasant Woman in a Green Shawl - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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