Heat of the Day, Venice - James Charles
Archival giclée
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Description
A sun-drenched Venetian scene by James Charles, capturing a quiet moment on the canal with a woman and her gondolier.
James Charles, a painter associated with the New English Art Club, captures a specific atmospheric quality in this Venetian scene. The work depicts a woman standing on a stone quay, shielding herself from the sun with a parasol, while a gondolier prepares his vessel nearby. The composition relies on the interplay between the architectural solidity of the Venetian palazzi and the shimmering, reflective surface of the water.
Charles employs a palette dominated by warm, sun-drenched tones, which effectively communicate the oppressive warmth of a Mediterranean afternoon. His brushwork is deliberate, balancing the need for structural clarity in the buildings with the fluid, broken colour required to represent the movement of the canal. The presence of the gondola, with its dark, curved form, provides a visual anchor against the lighter, more diffuse background of the city.
This painting reflects the interest many British artists of the late nineteenth century held in the light and life of Italy. Rather than focusing on the grand, historical monuments of Venice, Charles turns his attention to a quiet, everyday moment. The figure in the foreground, dressed in a red skirt, acts as a point of human interest that draws the viewer into the scene. The architectural details, such as the ornate posts rising from the water, are rendered with precision, yet they do not overwhelm the overall impression of the environment. This piece remains a clear example of the artist's ability to synthesise observation with a controlled, painterly technique, resulting in a work that captures the specific conditions of light and temperature found in the Venetian summer.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Heat of the Day, Venice - James Charles
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