Hemelvaart (The Ascension) - Jan Punt
Archival giclée
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Description
A detailed 1748 engraving by Jan Punt, depicting the Ascension of Christ after a composition by Peter Paul Rubens.
This etching and engraving by the Dutch artist Jan Punt, dated 1748, depicts the Ascension of Christ. The composition is based on an original painting by Peter Paul Rubens. Punt was a skilled printmaker who frequently translated the dramatic, muscular forms of the Flemish Baroque into the medium of engraving.
The central figure of Christ is shown ascending into the heavens, his body angled in a dynamic, diagonal trajectory that suggests movement through the clouds. He is flanked by two angels, whose gazes are directed upward, mirroring the viewer's focus. The use of hatching and cross-hatching creates a sense of volume in the drapery and the musculature of the figures. The light, emanating from behind the central figure, provides a sense of divinity and depth to the scene.
Jan Punt was active in Amsterdam and produced a significant body of work, often reproducing the compositions of earlier masters. This print demonstrates his technical proficiency in capturing the fluid lines and dramatic lighting characteristic of the Rubensian style. The inclusion of the Latin inscription, 'Jesus in coelum, e quo venerat, ascendens', provides the theological context for the image, referencing the Gospel of John. The print is a fine example of eighteenth-century reproductive engraving, where the goal was to disseminate the visual language of the great masters to a wider audience. The paper shows signs of age, consistent with its mid-eighteenth-century origin, adding to its character as a historical document of European printmaking.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Hemelvaart (The Ascension) - Jan Punt
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