Herauten, plaat P - Nicolaas Hogenberg
Archival giclée
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Description
A detailed sixteenth-century etching by Nicolaas Hogenberg depicting a ceremonial procession of heralds on horseback, complete with heraldic motifs.
This etching by Nicolaas Hogenberg forms part of a series documenting the grand procession of Emperor Charles V. The work captures a sequence of heralds on horseback, rendered with the precise line work characteristic of sixteenth-century printmaking. Hogenberg, a Dutch artist active in the early sixteenth century, provides a visual record of the ceremonial pageantry associated with the Habsburg court. The composition is divided into two distinct zones: the upper section features elaborate heraldic shields and a cartouche containing descriptive text, while the lower section depicts the procession itself.
The figures are shown in profile or three-quarter view, mounted on horses that move in a rhythmic, linear fashion across the frame. The artist employs a controlled etching technique to define the textures of the riders' garments and the musculature of the animals. The inclusion of coats of arms and specific textual references to Charles of Valois and the Bourbon lineage situates this print within the context of European dynastic history. The decorative cartouche at the top displays a high degree of ornamental detail, reflecting the aesthetic preferences of the period for balanced, symmetrical arrangements in printed matter.
As a historical document, the print offers insight into the visual culture of the Renaissance, specifically the use of public spectacle to communicate political authority. The clarity of the lines and the structured layout suggest this work was intended for a scholarly or aristocratic audience interested in genealogy and state ceremony. The print remains a clear example of the technical proficiency achieved by Northern European printmakers during this era, who balanced descriptive accuracy with the stylistic conventions of the time.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Herauten, plaat P - Nicolaas Hogenberg
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