Herder en herderin rusten uit bij een boom - Jan van Call (I)
Archival giclée
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Description
A classical pastoral etching by Jan van Call (I), depicting a shepherd and shepherdess resting beneath a tree, inspired by the Eclogues of Virgil.
This etching by Jan van Call (I) depicts a pastoral scene rooted in classical literary tradition. The composition features a shepherd and shepherdess resting beneath the shade of a large tree, a visual reference to the opening lines of Virgil's Eclogues, which are inscribed at the base of the print. The Latin text, 'Tityre, tu patulae recubans sub tegmine fagi', translates to 'Tityrus, you, reclining under the cover of a spreading beech', establishing the work as an exercise in the Arcadian ideal popular among Dutch artists of the late seventeenth century.
Van Call employs precise hatching and cross-hatching techniques to define the textures of the foliage, the rugged rock formations, and the distant mountainous horizon. The light source is handled with care, creating a sense of depth that draws the eye from the shaded foreground, where the figures sit, toward the sunlit ruins and rolling hills in the background. The inclusion of architectural elements, such as the domed structure in the distance, adds a layer of Mediterranean influence to the otherwise Dutch interpretation of the classical landscape. The print was published by Petrus Schenck, a prominent figure in the Amsterdam print trade, whose name appears at the bottom of the plate.
As a draughtsman and etcher, Van Call was known for his ability to capture topographical detail alongside imaginative, idealized settings. This work demonstrates his technical proficiency in managing tonal contrast within a monochromatic medium. The balance between the intimate scale of the resting figures and the expansive, rugged terrain reflects the period's interest in the relationship between humanity and the natural world. This print offers a glimpse into the aesthetic values of the late Dutch Golden Age, where classical scholarship and technical printmaking converged.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Herder en herderin rusten uit bij een boom - Jan van Call (I)
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