Het doorijzen van de Karnemelksloot bij Naarden, januari 1814 - Pieter Gerardus van Os
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed depiction of labourers and horses clearing ice from the Karnemelksloot near Naarden during the harsh winter of 1814.
Pieter Gerardus van Os, a Dutch painter known for his animal studies and winter scenes, captures a specific historical event in this work. The painting depicts the clearing of ice from the Karnemelksloot, a waterway near Naarden, during the severe winter of 1814. The scene shows a group of labourers and horses working to break through the frozen surface to allow passage for a barge.
The composition is dominated by the expansive, overcast sky, which occupies the upper two-thirds of the canvas. Van Os employs a muted palette of greys, browns, and whites to convey the biting cold of a Dutch winter. The figures are distributed across the foreground, engaged in the physical exertion required to clear the channel. Their posture and the presence of tools indicate the difficulty of the task. To the left, a barge is partially visible, its dark hull contrasting with the pale, icy surroundings.
Van Os demonstrates a keen eye for detail, particularly in the rendering of the horses and the textures of the ice. The work reflects the tradition of Dutch winter scenes, yet it is grounded in a specific, documented moment of local history. The distant silhouette of a church tower provides a sense of place, anchoring the scene within the Dutch countryside. The painting avoids dramatic artifice, focusing instead on the reality of daily life and the struggle against the elements. Through careful observation, the artist documents the collaborative effort required to maintain vital transport routes during periods of extreme weather. The work remains a record of both the environmental conditions of the early nineteenth century and the resilience of the local population.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Het doorijzen van de Karnemelksloot bij Naarden, januari 1814 - Pieter Gerardus van Os
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

