Hodogaya, from the series Fifty-three Stations of the Tokaido - Utagawa Hiroshige
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A classic woodblock print by Utagawa Hiroshige depicting a bustling teahouse at Hodogaya station, featuring traditional Japanese travellers and pine trees.
This woodblock print by Utagawa Hiroshige depicts Hodogaya, the fourth station along the Tokaido road, which connected Edo to Kyoto. As part of the Kyoka iri Tokaido series, the composition integrates a kyoka poem into the upper section of the print, blending visual narrative with literary tradition. The scene captures a moment of rest for travellers at a roadside teahouse, sheltered by large, dark pine trees that frame the composition.
Hiroshige employs a clear, balanced arrangement to guide the viewer through the space. The foreground features the teahouse with its green canopy and hanging lanterns, where figures sit on tatami mats. Beyond this, the path continues into the distance, flanked by rolling hills and further vegetation. The artist uses a controlled colour palette, relying on soft greens, muted blues, and earthy tones to define the environment. The lines are precise, characteristic of the ukiyo-e style, providing structure to both the architectural elements and the natural forms of the trees.
The Tokaido series remains a significant record of travel in nineteenth-century Japan. Hiroshige focuses on the atmosphere of the journey, documenting the daily life of common people as they traverse the route. By including the kyoka poem, the print invites the viewer to engage with the work on multiple levels, appreciating both the aesthetic qualities of the scene and the cultural context of the period. This print demonstrates the technical skill involved in the woodblock printing process, particularly in the layering of colours and the clarity of the printed lines. It offers a view into the social and physical geography of the Tokaido, presented with the clarity and observation that define Hiroshige's approach to the genre.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Hodogaya, from the series Fifty-three Stations of the Tokaido - Utagawa Hiroshige
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

