Hodogaya, Shinkame Bashi, Station 5 - Utagawa Hiroshige
Archival giclée
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Description
A classic woodblock print by Utagawa Hiroshige depicting the fifth station of the Tōkaidō road, featuring travellers crossing the Shinkame Bridge.
This woodblock print by Utagawa Hiroshige depicts the fifth station of the Tōkaidō road, Hodogaya. It is part of the series titled The Fifty-three Stations of the Tōkaidō, which documents the route between Edo and Kyoto. The composition focuses on the Shinkame Bridge, a wooden structure that serves as a transit point for travellers moving through the rural outskirts of the region.
Hiroshige employs a balanced arrangement of architectural and natural elements. The thatched-roof buildings of the village are clustered near the water, while a group of figures crosses the bridge, their forms rendered with simple, clear lines. The artist uses a restrained colour palette, relying on soft blues for the water and sky, contrasted with the muted earth tones of the village structures and the surrounding hills. The sky transitions from a pale horizon to a deeper blue at the top, a technique often used in his prints to suggest the time of day or atmospheric conditions.
The print captures a moment of quiet activity. The figures on the bridge are depicted in motion, yet the overall scene maintains a sense of stillness. The trees provide vertical accents that frame the village, guiding the eye across the bridge and into the distance. Hiroshige avoids excessive detail, preferring to suggest the character of the location through the placement of key shapes and the use of negative space. This approach allows the viewer to focus on the rhythm of the journey and the relationship between the travellers and the environment. The print reflects the artist's ability to transform a functional transit point into a composed image, capturing the atmosphere of the Tōkaidō road during the Edo period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Hodogaya, Shinkame Bashi, Station 5 - Utagawa Hiroshige
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