Holy Women at Christ's Tomb - Lucas Vorsterman I
Archival giclée
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Description
A detailed 17th-century engraving by Lucas Vorsterman I, capturing the dramatic encounter of the holy women at the tomb of Christ.
This engraving by Lucas Vorsterman I depicts the biblical scene of the holy women arriving at the tomb of Christ. Vorsterman, a skilled printmaker who collaborated closely with Peter Paul Rubens, demonstrates his mastery of the burin through the precise rendering of drapery and the subtle modulation of light. The composition follows the dramatic conventions of the Flemish Baroque, where figures are arranged to guide the viewer through the narrative sequence.
On the left, two figures stand upon a raised platform, their forms illuminated by a radiant light source that emanates from behind them. This light spills across the scene, catching the folds of the garments worn by the women on the right. The women appear in various states of reaction, their expressions and postures conveying a sense of solemnity and wonder. Vorsterman employs a system of hatching and cross-hatching to create depth and volume, ensuring that the figures possess a tangible presence within the architectural setting of the tomb.
The print reflects the collaborative nature of the Antwerp print trade during the seventeenth century, where artists often translated the painterly compositions of masters into reproducible media. Vorsterman was one of the most capable engravers of his generation, known for his ability to capture the muscularity and movement characteristic of the Rubensian style. The inclusion of Latin text at the base of the print provides context for the scene, identifying the figures and the donors associated with the commission. This work serves as an example of the technical rigour applied to religious subjects, where the clarity of the line is used to articulate both the physical form and the spiritual weight of the narrative. The balance between the dark, cavernous background and the illuminated foreground figures creates a sense of theatricality, typical of the period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Holy Women at Christ's Tomb - Lucas Vorsterman I
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