Hongaarse ruiter en Poolse jonker - Abraham de Bruyn
Archival giclée
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Description
A sixteenth-century engraving by Abraham de Bruyn depicting a Hungarian horseman and a Polish nobleman, showcasing period costume and military attire.
This engraving by Abraham de Bruyn presents a study of European military and aristocratic attire during the late sixteenth century. The work features two distinct figures: a Hungarian horseman, depicted in full profile within an ornate rectangular frame, and a Polish nobleman, whose image is partially preserved through fragments of the original print. The Hungarian figure is shown mounted, carrying a lance, with the Latin inscription 'Vulgaris Hungarus' and the German text 'Die gemeine Ungerische reuter' identifying his status and origin. The Polish figure is labelled 'Nobilis Polonus'.
De Bruyn, a prolific engraver based in Antwerp, produced numerous series documenting the diverse fashions and social hierarchies of the period. His work is characterised by precise line work and a focus on the material details of clothing, such as the feathered headgear and decorative textiles worn by the subjects. The composition reflects the contemporary interest in ethnographic and costume studies, which were popular among collectors and scholars of the era. The print provides a glimpse into the visual culture of the sixteenth century, where the depiction of foreign dress served as a means of categorising and understanding the wider European world.
This specific impression shows signs of age, with significant paper loss that reveals the fragile nature of sixteenth-century prints. The remaining sections demonstrate the technical skill of the engraver, particularly in the rendering of the horseman's armour and the decorative border surrounding the primary image. The work is a valuable example of the printmaking traditions that flourished in the Low Countries, where the dissemination of such images helped to standardise the visual representation of different national identities across the continent.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Hongaarse ruiter en Poolse jonker - Abraham de Bruyn
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