Hopman Ulrich of de bedrogen gierigheid: de omkoping - Cornelis Ploos van Amstel
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Description
A dramatic mezzotint by Cornelis Ploos van Amstel depicting a tense narrative scene of bribery and moral conflict in the eighteenth-century Dutch style.
This mezzotint by Cornelis Ploos van Amstel depicts a dramatic narrative scene, often associated with the moralising tales popular in eighteenth-century Dutch art. The composition centres on a confrontation between a soldier, identified as Hopman Ulrich, and another figure, set against the backdrop of a dimly lit architectural exterior. The use of mezzotint allows for a specific tonal range, creating deep shadows and soft highlights that define the figures and the surrounding space.
Ploos van Amstel was a collector and printmaker who sought to replicate the appearance of drawings and paintings through experimental print techniques. His work often involved the combination of etching and mezzotint to achieve a painterly quality. In this scene, the lighting is particularly effective, with a candle held by a woman in the doorway providing a source of illumination that catches the metallic sheen of the soldier's armour and the textures of the period clothing. The narrative tension is palpable, as the figures engage in a transaction or dispute, reflecting themes of greed and bribery common in the literature of the period.
The print demonstrates the technical precision required for mezzotint, where the artist works from dark to light by scraping away the burr on the copper plate. This process results in the smooth transitions and atmospheric depth visible in the background. As a reproduction of a genre scene, the work provides insight into the aesthetic preferences of the Dutch elite during the late eighteenth century, who valued both the moral instruction and the technical ingenuity displayed in such prints. The composition remains balanced, with the architectural elements providing a stable frame for the central interaction, ensuring the viewer's attention remains fixed on the dramatic exchange between the characters.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Hopman Ulrich of de bedrogen gierigheid: de omkoping - Cornelis Ploos van Amstel
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