Illustration for The Rubaiyat of Omar Khayyam - Edmund Dulac
Archival giclée
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Description
An evocative 1909 watercolour illustration by Edmund Dulac for The Rubaiyat of Omar Khayyam, featuring a contemplative scene with traditional Persian-inspired motifs.
This illustration by Edmund Dulac originates from his celebrated 1909 edition of The Rubaiyat of Omar Khayyam. Dulac, a French-born artist who became a naturalised British citizen, was a central figure in the early twentieth-century boom of gift-book publishing. His work for this volume demonstrates his mastery of the watercolour medium, employing a delicate application of pigment to achieve a sense of atmospheric depth and narrative clarity.
The composition depicts an elderly figure seated upon an ornate throne, surrounded by attendants. Dulac draws upon Persian and Middle Eastern motifs, incorporating patterned textiles, traditional musical instruments, and architectural details that evoke a sense of historical distance. The artist balances the central figure with the surrounding figures, using the vertical lines of the staff held by the standing attendant to anchor the scene. His approach to colour is restrained, favouring muted tones that allow the subtle variations in the clothing and the intricate patterns of the floor covering to emerge without overwhelming the viewer.
Dulac was known for his ability to synthesise diverse visual influences, including Persian miniature painting and European academic traditions. This specific work reflects his interest in the exoticism popularised during the Edwardian era, yet it maintains a distinct focus on the literary source material. The figures are rendered with a focus on gesture and posture, suggesting a quiet, contemplative moment rather than a dramatic event. The inclusion of scrolls and books in the foreground reinforces the scholarly theme of the text. As a fine art print, this piece offers a glimpse into the technical precision and imaginative scope that defined Dulac's contribution to the history of book illustration.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Illustration for The Rubaiyat of Omar Khayyam - Edmund Dulac
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