Illustration from Bibliothèque de campagne - Benjamin Samuel Bolomey
Archival giclée
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Description
A late eighteenth-century etching depicting a dramatic narrative scene, designed by Swiss artist Benjamin Samuel Bolomey for a literary collection.
This etching serves as a book illustration for the collection titled Bibliothèque de campagne, ou Amusemens de l'esprit et du coeur. The composition depicts a dramatic narrative scene, likely drawn from the sentimental literature popular in the late eighteenth century. A figure lies recumbent upon the ground, appearing either in a state of deep slumber or distress, while a second figure stands nearby, gesturing with an expression of concern or discovery. The setting suggests a cavernous or shadowed interior, rendered with cross-hatching and varied line weights to create a sense of atmospheric depth.
Benjamin Samuel Bolomey, a Swiss painter and draughtsman, provided the original design for this print, which was subsequently engraved by C. Boily. The collaboration between the designer (indicated by 'del.' for delineavit) and the engraver (indicated by 'sculp.' for sculpsit) was standard practice for eighteenth-century literary publications. The style reflects the aesthetic preferences of the period, prioritising clear narrative action and a balanced distribution of light and shadow. The etching technique allows for a high degree of detail in the drapery of the figures and the texture of the surrounding environment, typical of the refined graphic arts produced for the European reading public during this era.
This print offers a glimpse into the visual culture of the late Enlightenment, where literature and the fine arts were closely linked. The work functions as a visual accompaniment to the text, capturing a moment of emotional tension that invites the reader to imagine the surrounding narrative. The technical execution demonstrates the precision of the engraver's craft, translating Bolomey's initial drawing into a durable medium suitable for mass distribution within a bound volume.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Illustration from Bibliothèque de campagne - Benjamin Samuel Bolomey
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