In the Trossachs - George Washington Wilson
Archival giclée
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Description
A nineteenth-century albumen print by George Washington Wilson, depicting a stream in the Trossachs, Scotland, originally published as an illustration for Sir Walter Scott's The Lady of the Lake.
This albumen print by George Washington Wilson captures a stream flowing through the wooded terrain of the Trossachs, a region in the Scottish Highlands. Wilson, a pioneer in Scottish photography, gained recognition for his technical precision and his ability to document the rugged beauty of the British Isles. This specific image was produced as an illustration for an edition of Sir Walter Scott's poem, The Lady of the Lake, which popularised the Trossachs as a destination for travellers and artists alike.
The composition focuses on the interplay between the water and the surrounding vegetation. Wilson utilises the long exposure capabilities of the wet collodion process to render the stream with a soft, blurred quality, contrasting with the sharp detail of the rocks and foliage. The dense canopy of trees creates a natural frame, drawing the eye toward the centre of the image where the water cascades over stones. The inclusion of this photograph within a literary volume reflects the Victorian practice of combining poetry with visual documentation to evoke a sense of place.
As a commercial photographer, Wilson operated a successful studio in Aberdeen. His work often involved the production of stereoscopic views and larger prints for the tourist market. This piece demonstrates his command of light and shadow, particularly in the way he balances the bright highlights on the water against the darker, shaded areas of the forest floor. The print retains the sepia tones characteristic of the albumen process, providing a warm, historical quality to the scene. It serves as a record of the Scottish wilderness as it appeared in the late nineteenth century, documenting the specific geography that inspired Scott's romantic verse.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
In the Trossachs - George Washington Wilson
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