Inhabitants of Corfu in Conversation - Giovanni Andrea Vavassore
Archival giclée
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Description
A sixteenth-century woodcut by Giovanni Andrea Vavassore depicting men from Corfu in conversation, showcasing early ethnographic illustration.
This woodcut, attributed to the Venetian printer and engraver Giovanni Andrea Vavassore, originates from a period when European interest in ethnographic documentation was growing. The print depicts a group of men from Corfu engaged in conversation within a town square. The composition is structured with a clear division between the figures and the architectural backdrop, which features simple brickwork and basic building forms. The figures are rendered in the characteristic style of early sixteenth-century Italian woodcuts, with bold outlines and minimal shading, focusing on the distinct attire and facial features of the subjects.
Vavassore, active in Venice during the first half of the sixteenth century, operated a workshop known for producing maps, prints, and illustrated books. This specific work reflects the era's curiosity regarding the appearance and customs of people from the Mediterranean and beyond. The text at the top, 'Questi sono li huomini de Corphu retratti dal suo naturale', translates to 'These are the men of Corfu drawn from life', suggesting an intent to provide an authentic visual record for a contemporary audience. The figures wear long, flowing robes and simple headgear, typical of the regional dress documented in travel accounts of the time. The print is a fine example of the functional, informative nature of early modern graphic arts, where the woodcut medium allowed for the dissemination of images to a wider public. The lines are direct and unadorned, prioritising clarity of form over decorative detail. This piece offers a glimpse into the historical perspective of the Venetian Republic and its interactions with the Ionian Islands, capturing a moment of social exchange through the lens of sixteenth-century printmaking techniques.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Inhabitants of Corfu in Conversation - Giovanni Andrea Vavassore
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