Isabella of France Landing in England - Jean Fouquet
Archival giclée
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Description
A detailed medieval illumination by Jean Fouquet depicting the arrival of Isabella of France, showcasing fifteenth-century costume and maritime detail.
This illumination, attributed to the French master Jean Fouquet, depicts the arrival of Isabella of France in England. It originates from a copy of the Grandes Chroniques de France, a historical record commissioned for the French royal court. The scene captures a specific narrative moment: the Queen steps from a small boat onto the shore, where she is met by a group of armed soldiers.
Fouquet employs the conventions of fifteenth-century manuscript painting to organise the composition. The ship, a carrack with its rigging and sails, occupies the right side of the frame, providing a sense of scale against the coastal cliffs and the tower on the left. The figures are rendered with the precise detail characteristic of the period, from the Queen's gold-embroidered gown to the elaborate headdresses worn by her attendants. The armour of the soldiers on the beach reflects the military equipment of the mid-fifteenth century, showing the artist's attention to contemporary material culture.
The use of colour is balanced, with the cool blues of the sea and sky providing a backdrop for the warmer tones of the figures and the sandy shore. Fouquet manages the spatial depth through the placement of the boat and the receding coastline, creating a clear narrative sequence. The work demonstrates the technical skill required for miniature painting, where every stroke contributes to the clarity of the historical account. This print offers a view into the visual storytelling methods of the late medieval period, where historical events were interpreted through the lens of contemporary fashion, architecture, and social hierarchy. The clarity of the figures and the architectural elements makes this a representative example of Fouquet's ability to combine narrative precision with decorative refinement.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Isabella of France Landing in England - Jean Fouquet
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