Iwai Hanshirō IV as Shigenoi - Tōshūsai Sharaku
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A striking 1794 woodblock portrait by Tōshūsai Sharaku, capturing the kabuki actor Iwai Hanshirō IV in the role of Shigenoi.
This woodblock print by Tōshūsai Sharaku depicts the kabuki actor Iwai Hanshirō IV in the role of the nurse Shigenoi. Produced in 1794, the work belongs to a series of actor portraits that defined Sharaku's brief but intense career in the ukiyo-e tradition. Unlike many of his contemporaries who idealised their subjects, Sharaku employed a distinct approach to characterisation. He exaggerated facial features and expressions to capture the specific energy of the actor on stage.
The composition is a close-up portrait, focusing on the actor's head and shoulders against a dark, mica-dusted background. This technique, known as 'kira-e', provides a metallic sheen that draws attention to the figure. The actor wears a patterned kimono with floral motifs, rendered in soft tones that contrast with the stark, bold lines of the face. The hair is styled in a traditional fashion, adorned with a comb, which frames the face and directs the viewer's gaze toward the actor's focused expression.
Sharaku's work is recognised for its psychological intensity. By stripping away unnecessary background detail, he forces an engagement with the subject's persona. The print demonstrates the technical precision of the Edo-period woodblock process, where multiple carved blocks were used to layer colour and texture. The lines are sharp and deliberate, reflecting the influence of the kabuki theatre's dramatic artifice. This print offers a glimpse into the popular culture of late 18th-century Japan, where actors were celebrities and their performances were documented with great care by artists like Sharaku. The print remains a primary source for understanding the aesthetic conventions of the period, as well as the specific performance styles of the kabuki stage.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Iwai Hanshirō IV as Shigenoi - Tōshūsai Sharaku
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

