Jaapje met cape - Samuel Jessurun de Mesquita
Archival giclée
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Description
A striking woodcut portrait by Samuel Jessurun de Mesquita, featuring a young boy in a hooded cape rendered in bold, high-contrast black and white.
This striking woodcut by the Dutch artist Samuel Jessurun de Mesquita depicts a young boy, known as Jaapje, wrapped in a dark, hooded cape. The composition relies on a stark contrast between the solid black ink and the unprinted paper, a technique that defines much of the artist's graphic output. By stripping away unnecessary detail, de Mesquita focuses the viewer on the silhouette and the expressive, simplified features of the child's face.
De Mesquita was a master of the woodcut medium, often employing bold, flat areas of colour to create graphic impact. This work reflects the influence of the Art Nouveau movement, particularly in its clean lines and the deliberate, decorative framing of the subject. The figure stands within a rounded arch, a common motif in his prints that provides a sense of enclosure and focus. The boy's posture is casual, yet the heavy, dark mass of the cape gives the image a weight and presence that belies its small scale.
As a graphic artist, de Mesquita was known for his ability to capture character through minimal means. His work often explored the tension between abstraction and representation. In this print, the cape becomes a geometric form, while the face remains the singular point of human connection. The clarity of the image is a result of the artist's precise carving, where every cut of the woodblock serves a specific purpose in defining the form. This print is a clear example of his technical skill and his eye for composition, demonstrating how a limited palette can produce a powerful visual statement. It remains a representative piece of his early twentieth-century graphic work, showing his command over the woodcut process and his distinct aesthetic sensibility.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jaapje met cape - Samuel Jessurun de Mesquita
Artist Biography
Samuel Jessurun De Mesquita
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
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