Jacob Burying the Idols under the Terebinth Tree - Nicolaes Moeyaert
Archival giclée
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Description
A detailed seventeenth-century etching by Nicolaes Moeyaert depicting the biblical scene of Jacob burying idols beneath a terebinth tree.
This etching by Nicolaes Moeyaert depicts the biblical narrative from Genesis 35, where Jacob commands his household to discard their foreign idols before travelling to Bethel. The composition centres on a figure digging into the earth, surrounded by a group of observers in period-appropriate attire. Moeyaert, a significant figure in the Dutch Golden Age, often drew inspiration from the works of Adam Elsheimer, which is evident in the treatment of the figures and the atmospheric, ruinous background.
The scene is set against a backdrop of crumbling classical architecture, a common trope in seventeenth-century Dutch art to suggest antiquity and the passage of time. The etching technique allows for a high degree of detail in the textures of the stone, the foliage, and the clothing of the figures. The artist employs varied line weights to create depth, guiding the eye from the foreground activity towards the distant, ruined structures. The inclusion of a dog near the digger adds a touch of naturalism to the otherwise solemn, ritualistic event.
Moeyaert was known for his ability to integrate biblical subjects into settings that felt accessible to his contemporaries. His work often features a specific type of theatrical lighting and a focus on human gesture to convey the emotional weight of the narrative. This print serves as a fine example of the period's interest in moralising themes, presented through the lens of classical influence and technical precision. The Latin inscription at the bottom, 'Jacob sepiliuit idola supter Terebinthum gen 35', provides the specific scriptural reference for the viewer, ensuring the narrative remains clear despite the stylised, imaginative setting.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jacob Burying the Idols under the Terebinth Tree - Nicolaes Moeyaert
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