Jacques Louis Francois Roussel, Marquis de Courcy - Maurice Quentin de La Tour
Archival giclée
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Description
A refined eighteenth-century pastel portrait by Maurice Quentin de La Tour, capturing the Marquis de Courcy with technical precision and psychological clarity.
Maurice Quentin de La Tour remains one of the most accomplished practitioners of the pastel medium in eighteenth-century France. This portrait of Jacques Louis Francois Roussel, Marquis de Courcy, demonstrates the artist's ability to capture the psychological presence of his sitters through a refined application of dry pigment. La Tour often worked with a meticulous approach, layering colours to achieve a soft, luminous skin tone that contrasts with the darker, more structured elements of the subject's attire.
The Marquis is depicted in a three-quarter view, wearing a powdered wig typical of the period. His expression is one of calm engagement, a hallmark of La Tour's portraiture, which sought to move beyond formal stiffness to suggest a more personal character. The artist uses a subtle palette, allowing the textures of the lace jabot and the velvet coat to emerge through careful blending and hatching. The background remains neutral, ensuring the focus stays on the facial features and the play of light across the subject's features.
Pastel allowed La Tour to work with a speed and immediacy that oil paint could not replicate, yet he maintained a high degree of finish. This work reflects the social conventions of the French aristocracy during the mid-eighteenth century, where portraiture functioned as a means of documenting status and personal identity. The handling of the lace and the metallic embroidery on the waistcoat reveals the artist's technical precision. By avoiding heavy shadows, La Tour creates a sense of clarity and openness, inviting the viewer to observe the subject with a sense of directness. This piece provides a clear example of the technical mastery that defined the artist's career in the royal court and among the Parisian elite.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jacques Louis Francois Roussel, Marquis de Courcy - Maurice Quentin de La Tour
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