Jagiello with Witold - Jan Matejko
Archival giclée
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Description
A historical painting by Jan Matejko depicting King Wladyslaw II Jagiello and Grand Duke Vytautas in a moment of solemn preparation.
Jan Matejko, a central figure in nineteenth-century Polish art, produced this work as part of his extensive series documenting the history of Poland. The painting depicts King Wladyslaw II Jagiello alongside his cousin, Grand Duke Vytautas (Witold), during a moment of reflection or prayer before a military engagement. Matejko is recognised for his meticulous attention to historical costume and the psychological depth of his subjects, often using his compositions to reinforce national identity during a period when Poland was partitioned.
In this scene, the figures are rendered with a focus on their regal and military status. Jagiello is shown in a kneeling position, his hands clasped in a gesture of devotion, dressed in a striking red tunic. Standing behind him, Vytautas provides a contrast in both posture and attire, wearing armour and a helmet that suggest his role as a commander. The background features a muted, atmospheric sky and the presence of other figures, which adds a sense of scale and narrative urgency to the composition. The lighting is directed to draw the viewer's eye to the interaction between the two leaders, creating a sense of shared purpose.
Matejko utilised a palette that balances the deep, saturated reds of the royal garments against the darker, more subdued tones of the armour and the surrounding landscape. His technique reflects the rigorous training of the Munich and Vienna academies, prioritising clear forms and dramatic staging. This work remains a representative example of his approach to historical narrative, where the artist sought to bring past events to life through careful research and dramatic visual storytelling. The composition avoids excessive ornamentation, instead focusing on the gravity of the historical moment and the relationship between the two central figures.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jagiello with Witold - Jan Matejko
Artist Biography
Jan Matejko
Matejko was born in Krakow in 1838 to a Czech father and a half-German, half-Polish mother. Despite being only one-quarter Polish by blood, his household was fiercely patriotic: Polish books, portraits of Polish heroes, and a brother who followed General Jozef Bem into the Hungarian Revolution of 1848 (and died in battle). He enrolled at the Krakow Academy of Fine Arts at fourteen, studying under Wojciech Stattler. He never mastered a foreign language and struggled even with Polish, which made the public appearances demanded of him throughout his career an ordeal.
His ambition was to paint Polish history on a monumental scale. Stanczyk (1862) showed the royal jester alone with the news of a military defeat, a painting that reads as an editorial cartoon stretched to the size of a wall. Battle of Grunwald (1878) and Rejtan (1866) followed, each canvas an argument about national identity dressed as historical spectacle. Wilhelm von Kaulbach's method of "historical symbolism", which prioritised interpretation over documentary accuracy, shaped Matejko's approach. His brother Franciszek, a historian at the Jagiellonian Library, fed him archival detail.
As director of the Krakow School of Fine Arts, he trained over eighty students. Maurycy Gottlieb, Jacek Malczewski, Jozef Mehoffer and Stanislaw Wyspianski all passed through his studio; several became leading figures in the Young Poland movement, earning Matejko the title "Father of Young Poland". In 1887 he attended the opening of Queen Jadwiga's sarcophagus to sketch her skull for a portrait. He died in 1893, aged fifty-five.
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