Jan van Hout - Jacobus Houbraken
Archival giclée
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Description
A detailed eighteenth-century engraving by Jacobus Houbraken, depicting the Leiden official Jan van Hout within a formal oval frame.
This engraving by Jacobus Houbraken depicts Jan van Hout, the secretary of the city of Leiden. Houbraken, a prolific Dutch engraver, produced this work as part of a larger series of historical portraits. The composition follows the conventions of eighteenth-century printmaking, presenting the subject within a classical oval frame. This framing device creates a sense of depth, separating the figure from the architectural background.
Jan van Hout is shown in a bust-length portrait, wearing a period-appropriate ruff and doublet. The precision of the line work is characteristic of Houbraken's technical skill. He employs varied hatching techniques to define the texture of the fabric and the contours of the face. The shading provides a realistic volume to the subject, while the surrounding oval is filled with fine, horizontal lines that contrast with the darker tones of the portrait itself. Below the oval, a rectangular cartouche contains the subject's name and title, rendered in clear, formal lettering. This inclusion of biographical data is typical for historical portrait prints of the era, which functioned as both artistic objects and records of notable figures.
The print demonstrates the high level of craftsmanship associated with Dutch engraving during the mid-eighteenth century. Houbraken based this work on an earlier portrait by Willem van Swanenburg, dated 1608. By translating a painted or drawn original into the medium of engraving, Houbraken ensured that the likeness of the Leiden official was preserved for a wider audience. The work remains a clear example of the formal portraiture style that defined the period, focusing on clarity, anatomical accuracy, and a balanced arrangement of elements within the frame. It is a study in the intersection of historical documentation and technical printmaking.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jan van Hout - Jacobus Houbraken
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