Jean de Wit, Conseiller Pensionnaire de Hollande - Bernard Picart
Archival giclée
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Description
A formal 1724 portrait engraving by Bernard Picart of the Dutch statesman Johan de Witt, presented in a classical oval frame.
This engraving by Bernard Picart depicts Johan de Witt (1625-1672), the influential Dutch statesman who served as Grand Pensionary of Holland during the mid-seventeenth century. Picart, a French-born engraver who spent much of his career in Amsterdam, produced this portrait in 1724, decades after the subject's death. The work reflects the conventions of formal portraiture common to the period, presenting the sitter within an oval frame that mimics the appearance of a sculpted medallion.
Picart employs precise line work to define the facial features and the texture of the subject's long, flowing hair. The shading within the oval is achieved through dense cross-hatching, which creates a sense of volume and depth. The sitter is dressed in the sober, dark attire typical of a Dutch official, complete with a white collar that provides a sharp contrast to the darker tones of his coat. Below the portrait, the inscription identifies the subject as 'Jean de Wit, Conseiller Pensionnaire de Hollande', confirming his political role. The technical execution demonstrates Picart's mastery of the burin, a skill that made him one of the most sought-after printmakers in Europe during the early eighteenth century. This print is a fine example of the commemorative portraiture that helped preserve the memory of political figures in the Dutch Republic. The composition is balanced and restrained, focusing the viewer's attention on the character and status of the sitter.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jean de Wit, Conseiller Pensionnaire de Hollande - Bernard Picart
Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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