Plate by Bernard Picart
Formal Garden with Fountain in Foreground by Bernard Picart
The Gods of Egypt by Bernard Picart
Love and Death by Bernard Picart
Althaea Putting the Fatal Log on the Fire by Bernard Picart
Roger de Piles by Bernard Picart
Bust of Young Man Resting Chin on Hand by Bernard Picart
1673–1733

Bernard Picart

Bernard Picart moved from Paris to Amsterdam in 1710 to find religious freedom as a Protestant. While in the Netherlands, he published a collection of engravings titled "Innocent Impostors". In this project, he created plates in the exact style of old masters to trick collectors who valued age over technical skill. This exercise was a deliberate attempt to prove that contemporary engravers could match the quality of the past through skill alone.

Portrait of Bernard Picart

Biography

His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.

Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.

Bernard Picart prints

Hand-finished archival prints from Bernard Picart's body of work.

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Frequently Asked Questions

  • When was Bernard Picart born?
    Bernard Picart was born in 1673 and died in 1733.
  • What is Bernard Picart known for?
    Bernard Picart is known for bernard Picart was a master engraver known for technical precision and his "Innocent Impostors" series which challenged the art market of the eighteenth century.

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