Jizō Bosatsu - Hanabusa Itchō
Archival giclée
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Made to order
Description
A serene depiction of Jizō Bosatsu, the protector of travellers and children, seated upon a lotus throne in this traditional Edo period hanging scroll.
This hanging scroll depicts Jizō Bosatsu, the protector of travellers and children, seated in a meditative posture upon a lotus throne. Hanabusa Itchō, a painter known for his departure from the rigid Kano school style, brings a refined sensibility to this religious subject. The figure of Jizō is rendered with calm, balanced proportions, holding the khakkhara staff in one hand and a flaming jewel in the other. The iconography follows traditional Buddhist conventions, yet the execution displays the artist's characteristic attention to line and colour harmony.
The deity is framed by a golden mandorla, which provides a luminous backdrop to the serene facial features. Below the lotus base, stylised clouds drift, adding a sense of weightlessness to the composition. The colour palette relies on muted earth tones for the background, contrasted by the deep reds and greens of the robes and petals. The surrounding silk mount features a repeating pattern of trees, which provides a decorative border that complements the central figure without distracting from the devotional focus.
Hanabusa Itchō was active during the Genroku era, a period of cultural expansion in Japan. While he is often associated with genre scenes of urban life, his religious works demonstrate a technical proficiency in traditional ink and colour techniques. This piece reflects the aesthetic values of the period, where clarity of line and symbolic precision were highly regarded. The work remains a clear example of the intersection between formal religious art and the individual style of a master painter. The preservation of the silk and the pigments allows for a detailed observation of the brushwork, particularly in the rendering of the robes and the delicate facial features of the Bodhisattva.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jizō Bosatsu - Hanabusa Itchō
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