Jobs Returning from the University - Tamme Weyerd Theodor Janssen
Archival giclée
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Description
A detailed etching depicting a satirical scene from the life of Hieronimus Jobs, capturing a student's return home in a late eighteenth-century Dutch interior.
This etching by Tamme Weyerd Theodor Janssen depicts a scene from the popular Dutch satirical poem 'The Life of Hieronimus Jobs', written by Carl Arnold Kortum. The narrative follows the character Hieronimus Jobs, a student whose academic pursuits are often portrayed with irony. In this composition, the protagonist returns home, his posture and attire suggesting a sense of self-importance that contrasts with the domestic setting.
Janssen employs a precise, linear technique characteristic of late eighteenth-century printmaking. The interior is rendered with attention to period furniture and architectural details, such as the panelled doors and the formal chair occupied by an older figure. The figures are arranged to create a theatrical interaction, with the returning student positioned at the centre, flanked by family members who react to his arrival. The use of light and shadow defines the depth of the room, while the inclusion of small details, such as the dog in the foreground and the toy on the floor, adds a layer of narrative specificity to the domestic environment.
As a Dutch artist working during a period of transition in European art, Janssen captures the satirical spirit of the era. The print functions as a visual commentary on the social expectations placed upon students and the reality of their homecoming. The composition avoids excessive ornamentation, focusing instead on the characterisation of the figures and the clarity of the domestic space. This work provides an insight into the cultural reception of Kortum's poem, which remained a popular subject for illustrators throughout the nineteenth century. The print is executed with a focus on tonal variation, achieved through careful hatching and cross-hatching, which provides a sense of volume to the figures and the surrounding furniture.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jobs Returning from the University - Tamme Weyerd Theodor Janssen
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