John Roberts, Chairman of the East India Company - William Daniell
Archival giclée
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Made to order
Description
A refined etching by William Daniell depicting John Roberts, Chairman of the East India Company, in a classic profile portrait.
This portrait study depicts John Roberts, who served as Chairman of the East India Company during the late eighteenth and early nineteenth centuries. Executed by the British artist and engraver William Daniell, the work captures the subject in profile, a common convention for portraiture of the period that allowed for a clear delineation of facial features and character. Daniell, known primarily for his extensive documentation of British and Indian topography, demonstrates here his technical proficiency in etching and line work.
The composition is sparse, focusing entirely on the sitter. Daniell employs fine, controlled lines to define the contours of the face, the texture of the coat, and the soft folds of the cravat. The shading is achieved through delicate cross-hatching, which provides volume to the figure without overwhelming the paper surface. The sitter is presented in a seated position, suggested by the minimal indication of a chair back behind him. The overall aesthetic is one of restraint and clarity, typical of the portraiture style favoured by the British professional class at the turn of the nineteenth century.
This print offers a glimpse into the visual culture of the East India Company, an organisation that shaped much of the geopolitical history of the era. The inclusion of the subject's name and title at the base of the image identifies him as a figure of administrative authority. The paper shows signs of age, including foxing, which is consistent with works of this period. As a piece of historical documentation, the portrait provides a direct connection to the individuals who managed the complex trade and political networks of the British Empire. It is a study in both individual character and the formal portrait traditions of the Georgian era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
John Roberts, Chairman of the East India Company - William Daniell
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