Judas Maccabee Ordering the Cleansing of the Holy Place - Johannes Wierix
Archival giclée
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Description
A detailed sixteenth-century engraving by Johannes Wierix depicting the biblical cleansing of the Temple by Judas Maccabee.
This engraving by Johannes Wierix depicts the biblical narrative of Judas Maccabee overseeing the purification of the Temple in Jerusalem. The composition is organised around the central act of dismantling the defiled altar, with figures shown in dynamic, muscular poses typical of the Northern Mannerist style. Wierix employs precise, controlled line work to define the anatomy of the soldiers and the architectural elements of the background, which features a circular temple structure reminiscent of classical design.
The scene is filled with activity: men use levers and hammers to break apart stone structures, while Judas Maccabee stands to the right, observing the progress with a commanding presence. The inclusion of a severed head in the foreground adds a grim, visceral quality to the narrative, reflecting the violent nature of the conflict described in the Books of Maccabees. The Latin inscription at the base provides context, referencing the cleansing and restoration of the sanctuary after the defeat of Antiochus.
Wierix was a member of a prolific family of engravers in Antwerp, and his work is known for its technical precision and adherence to the aesthetic conventions of the late sixteenth century. The print demonstrates a mastery of perspective and shading, using cross-hatching to create depth and volume within the figures. The architectural setting provides a sense of scale, contrasting the human figures with the monumental nature of the temple. This piece serves as an example of how biblical history was interpreted through the lens of contemporary artistic techniques, focusing on the physical exertion and dramatic tension of the event. The clarity of the engraving allows for a detailed examination of the period clothing, weaponry, and the symbolic destruction of the desecrated altar.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Judas Maccabee Ordering the Cleansing of the Holy Place - Johannes Wierix
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