Juno Speaking to the Parcae - Giulio Bonasone
Archival giclée
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Description
A detailed Renaissance engraving by Giulio Bonasone depicting Juno in dialogue with the Fates, framed by elaborate ornamental borders.
This engraving by Giulio Bonasone depicts the Roman goddess Juno in conversation with the Parcae, or Fates. Bonasone, a Bolognese artist active during the sixteenth century, was known for his technical precision in printmaking. He often reproduced works by other masters, yet this piece demonstrates his own compositional invention. The central scene shows Juno standing before the three Fates, who are positioned beneath a palm tree. The figures are rendered with the anatomical clarity typical of the period, reflecting an interest in classical proportions and narrative clarity.
The composition is framed by an elaborate border, which includes grotesque figures, sphinxes, and putti. This decorative framework is characteristic of the Mannerist influence, where artists combined classical subject matter with highly stylised, ornamental elements. Below the main scene, an inscription in Italian provides context for the encounter, noting the hidden nature of divine judgement. The text serves as a narrative anchor for the viewer, bridging the gap between the visual representation and the literary source material.
Bonasone utilised a refined hatching technique to create volume and depth within the figures and the surrounding landscape. The contrast between the central mythological narrative and the surrounding decorative motifs creates a balanced visual experience. The print is a fine example of the intersection between classical mythology and the printmaking traditions of the Italian Renaissance. It offers a glimpse into the period's fascination with allegory and the structured presentation of ancient tales. The work remains a clear representation of the technical skill required for copperplate engraving during the mid-sixteenth century, showing the artist's ability to manage complex spatial arrangements within a single frame.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Juno Speaking to the Parcae - Giulio Bonasone
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