Kajikazawa in Kai Province - Katsushika Hokusai
Archival giclée
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Description
A fisherman and child cast nets from a jagged cliff in this iconic woodblock print from Hokusai's Thirty-Six Views of Mount Fuji.
Kajikazawa in Kai Province is a print from the series Thirty-Six Views of Mount Fuji, produced by Katsushika Hokusai during the early 1830s. This work depicts a fisherman and his child perched upon a jagged, triangular cliff edge that projects into the turbulent waters of the Fuji River. The composition relies on a stark geometric tension between the sharp, angular rock formation and the distant, serene silhouette of Mount Fuji.
Hokusai employs a limited palette, focusing on the contrast between the dark, textured rocks and the lighter, atmospheric sky. The fisherman stands in a dynamic posture, hauling a net from the river below. His form echoes the triangular shape of the cliff, which in turn mirrors the distant mountain peak. This repetition of triangular forms creates a visual rhythm that guides the eye across the frame.
The print demonstrates the technical precision of the Ukiyo-e woodblock process. The lines defining the crashing waves and the craggy rock face are deliberate and controlled. By placing the human figures in such a precarious position, Hokusai captures a moment of daily labour set against the immense scale of the natural world. The inclusion of the river mist and the subtle gradation of the sky adds depth to the scene, moving away from the flatter perspectives common in earlier Japanese prints. This work remains a primary example of Hokusai's ability to synthesise human activity with the monumental presence of Mount Fuji, using geometry and balance to organise the visual field.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kajikazawa in Kai Province - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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