Kalenderblad april met twee zwemmende eenden - Theo van Hoytema
Archival giclée
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Description
A refined lithograph by Theo van Hoytema featuring two ducks swimming, designed as a calendar page for April with decorative Art Nouveau borders.
This lithograph by Theo van Hoytema, a Dutch artist known for his focus on natural history and animal subjects, represents a page from a calendar for the month of April. The composition is divided into two distinct sections. The upper portion features a naturalistic depiction of two ducks swimming in water, rendered with a muted palette and fine, textured lines that capture the movement of the water and the plumage of the birds. The lower portion contains the calendar grid for April, framed by a decorative border that echoes the organic, flowing lines characteristic of the Art Nouveau period.
Van Hoytema was a master of lithography, often using the medium to create works that combined scientific observation with decorative design. His approach to animal subjects was informed by his interest in biology, yet he maintained a stylistic sensibility that aligned with the aesthetic movements of the early twentieth century. The use of soft, earthy tones and the integration of typography with graphic illustration demonstrate his skill in balancing functional design with artistic expression. The border, featuring subtle floral motifs, provides a cohesive structure that links the natural scene above with the structured calendar below.
This work reflects the broader interest in the decorative arts during this era, where everyday objects such as calendars were treated as opportunities for artistic production. The print demonstrates a high level of technical proficiency in lithographic printing, with the subtle layering of colours creating depth within the water. It is a representative example of Van Hoytema's output, which frequently featured birds and other animals in various settings, often produced for calendars or as standalone prints for collectors of the period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kalenderblad april met twee zwemmende eenden - Theo van Hoytema
Artist Biography
Theo Van Hoytema
Van Hoytema's career took an unexpected turn when he became deeply involved with the Theosophical Society. This spiritual quest profoundly influenced his art, leading him to explore themes of interconnectedness and the underlying unity of all living things. His designs became more symbolic, reflecting his belief in a hidden order within nature. Despite facing financial struggles throughout his life, Van Hoytema remained committed to his artistic vision, producing a body of work that continues to enchant and inspire.
Though he died in relative obscurity in 1917, Theo van Hoytema's legacy has experienced a well-deserved revival. His prints, particularly those featuring storks, owls, and other birds, are now highly sought after by collectors and art enthusiasts. They offer a glimpse into a world where nature is both beautiful and deeply meaningful, a testament to Van Hoytema's unique artistic vision and his unwavering dedication to his craft.
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