Kalenderblad februari met staande en zwemmende eend - Theo van Hoytema
Archival giclée
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Description
A 1902 lithographic calendar page for February by Theo van Hoytema, featuring two ducks rendered with precise observation and Art Nouveau decorative elements.
This lithographic calendar page for the month of February, produced by the Dutch artist Theo van Hoytema in 1902, demonstrates his characteristic approach to natural history illustration. Van Hoytema was a significant figure in the Dutch Art Nouveau movement, known for his precise observation of birds and animals. His work often combined scientific accuracy with a decorative sensibility that suited the graphic design requirements of calendars and books.
The composition features two ducks, one standing and one swimming, rendered with a focus on texture and form. The artist employs a muted palette, relying on subtle shifts in tone to define the plumage and the water. The surrounding border and the calendar grid below are integrated into the overall design, reflecting the period's interest in the unity of text and image. The typography is clean and functional, allowing the central illustration to remain the primary focus of the piece.
Van Hoytema's technique in lithography allowed for a soft, painterly quality that distinguishes his prints from the sharper lines of woodblock printing. His work often appeared in annual publications, where he could explore seasonal themes through the lens of local wildlife. This specific sheet captures the quiet, wintry atmosphere associated with February. The decorative frame, featuring simple organic motifs, provides a structured enclosure for the naturalistic subjects. By balancing the rigid grid of the calendar with the fluid, organic shapes of the ducks, Van Hoytema creates a harmonious page that functions as both a practical tool and a decorative object. The print remains a clear example of the Dutch graphic arts tradition at the turn of the twentieth century, where artists sought to bring high-quality design into everyday life through accessible print media.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kalenderblad februari met staande en zwemmende eend - Theo van Hoytema
Artist Biography
Theo Van Hoytema
Van Hoytema's career took an unexpected turn when he became deeply involved with the Theosophical Society. This spiritual quest profoundly influenced his art, leading him to explore themes of interconnectedness and the underlying unity of all living things. His designs became more symbolic, reflecting his belief in a hidden order within nature. Despite facing financial struggles throughout his life, Van Hoytema remained committed to his artistic vision, producing a body of work that continues to enchant and inspire.
Though he died in relative obscurity in 1917, Theo van Hoytema's legacy has experienced a well-deserved revival. His prints, particularly those featuring storks, owls, and other birds, are now highly sought after by collectors and art enthusiasts. They offer a glimpse into a world where nature is both beautiful and deeply meaningful, a testament to Van Hoytema's unique artistic vision and his unwavering dedication to his craft.
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