Kalenderblad februari met uil - Theo van Hoytema
Archival giclée
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Description
A refined lithographic calendar page for February by Theo van Hoytema, featuring a central owl illustration framed by decorative avian motifs.
This lithograph by Theo van Hoytema, titled Kalenderblad februari met uil, originates from a series of calendar designs produced in the early twentieth century. Van Hoytema was a Dutch artist known for his focus on natural history, particularly birds, which he rendered with a distinct blend of observation and decorative stylisation. This piece exemplifies his approach to graphic design, where the subject matter is integrated into a structured, ornamental frame.
The central image features a perched owl, depicted with careful attention to its plumage and posture. The composition is divided into two primary sections: the upper portion houses the primary illustration, while the lower portion contains the calendar grid for the month of February. The surrounding border is decorated with small, stylised owl motifs, creating a cohesive visual theme that ties the functional calendar elements to the artistic subject. The colour palette remains restrained, relying on earthy tones and muted yellows to maintain a sense of balance.
Van Hoytema was a master of lithography, a medium that allowed him to experiment with texture and line. His work often appeared in books and decorative prints, reflecting the influence of the Art Nouveau movement through its emphasis on organic forms and rhythmic patterns. The typography within the calendar grid is clear and functional, demonstrating the artist's ability to balance aesthetic concerns with the practical requirements of a calendar. This print offers a glimpse into the intersection of fine art and commercial design during the turn of the century, showcasing the artist's technical skill and his affinity for avian subjects. The work remains a fine example of Dutch graphic art from this period, capturing a quiet, observant quality that is characteristic of Van Hoytema's broader body of work.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kalenderblad februari met uil - Theo van Hoytema
Artist Biography
Theo Van Hoytema
Van Hoytema's career took an unexpected turn when he became deeply involved with the Theosophical Society. This spiritual quest profoundly influenced his art, leading him to explore themes of interconnectedness and the underlying unity of all living things. His designs became more symbolic, reflecting his belief in a hidden order within nature. Despite facing financial struggles throughout his life, Van Hoytema remained committed to his artistic vision, producing a body of work that continues to enchant and inspire.
Though he died in relative obscurity in 1917, Theo van Hoytema's legacy has experienced a well-deserved revival. His prints, particularly those featuring storks, owls, and other birds, are now highly sought after by collectors and art enthusiasts. They offer a glimpse into a world where nature is both beautiful and deeply meaningful, a testament to Van Hoytema's unique artistic vision and his unwavering dedication to his craft.
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