Kalenderblad juli met scholekster - Theo van Hoytema
Archival giclée
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Description
A 1902 lithograph by Theo van Hoytema featuring an oystercatcher, designed as a decorative calendar page for the month of July.
This lithograph by Theo van Hoytema forms part of a series of calendar pages produced at the turn of the twentieth century. Van Hoytema, a Dutch artist known for his focus on natural history and ornithology, brings a distinct stylistic approach to the depiction of the oystercatcher. The central image features the bird in a characteristic resting pose, standing on one leg against a stylised, patterned background of floral motifs. The composition is framed by a decorative border that repeats geometric and organic shapes, reflecting the influence of Art Nouveau design principles.
The lower portion of the print integrates the calendar grid for the month of July. Van Hoytema incorporates small, repeated silhouettes of the oystercatcher within the grid, replacing standard numerical markers for certain days. This integration of functional typography with illustrative elements is typical of his graphic work, where the boundaries between fine art and commercial design remain fluid. The colour palette is restrained, relying on muted greens, earthy browns, and cream tones to maintain a sense of harmony across the page.
Van Hoytema studied at the Royal Academy of Art in The Hague and developed a reputation for his precise observation of animals. His work often avoids excessive ornamentation, preferring instead to focus on the essential form and movement of his subjects. This specific print demonstrates his ability to balance the requirements of a functional calendar with his own artistic vision. The lithographic process allows for the soft application of colour, which complements the gentle, rhythmic quality of the design. The work remains a clear example of the Dutch graphic arts tradition during the early 1900s, where artists frequently collaborated with printers to produce accessible, high-quality decorative works for the home.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kalenderblad juli met scholekster - Theo van Hoytema
Artist Biography
Theo Van Hoytema
Van Hoytema's career took an unexpected turn when he became deeply involved with the Theosophical Society. This spiritual quest profoundly influenced his art, leading him to explore themes of interconnectedness and the underlying unity of all living things. His designs became more symbolic, reflecting his belief in a hidden order within nature. Despite facing financial struggles throughout his life, Van Hoytema remained committed to his artistic vision, producing a body of work that continues to enchant and inspire.
Though he died in relative obscurity in 1917, Theo van Hoytema's legacy has experienced a well-deserved revival. His prints, particularly those featuring storks, owls, and other birds, are now highly sought after by collectors and art enthusiasts. They offer a glimpse into a world where nature is both beautiful and deeply meaningful, a testament to Van Hoytema's unique artistic vision and his unwavering dedication to his craft.
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