Kanaya, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Katsushika Hokusai, featuring Mount Fuji and travellers at the Kanaya station on the Tokaido road.
This woodblock print by Katsushika Hokusai depicts the station of Kanaya, a stop on the Tokaido road connecting Edo and Kyoto. The composition features Mount Fuji as a dominant presence in the upper register, rendered with clean lines and a stylised green tone. Hokusai employs a flattened perspective, typical of the Ukiyo-e tradition, where the mountain, the rolling hills, and the travellers are arranged to balance the visual weight of the scene.
The foreground shows figures navigating the terrain, carrying goods in baskets. Their presence provides a sense of scale against the natural features. The colour palette is restrained, relying on soft pinks for the clouds, muted greens for the hills, and earthy tones for the ground. The print demonstrates Hokusai's ability to simplify complex natural forms into clear, graphic elements. The use of negative space, particularly in the sky and the water, allows the eye to move across the print without distraction.
Unlike the later, more famous series by Utagawa Hiroshige, Hokusai's interpretation of the Tokaido stations often focuses on a more decorative and schematic approach. The print reflects the technical precision of the Edo period woodblock printing process, where each colour required a separate carved block. The registration of these blocks is precise, maintaining the clarity of the outlines. This work offers a view into the travel culture of nineteenth-century Japan, capturing the rhythm of movement along the coastal route. It remains a clear example of Hokusai's early mastery of composition and his ability to integrate human activity into the natural world through a graphic, rather than realistic, lens.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kanaya, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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