Kaneel, nootmuskaat, kruidnagel en bamboe - Romeyn de Hooghe
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed seventeenth-century etching by Romeyn de Hooghe documenting the cultivation of cinnamon, nutmeg, cloves, and bamboo in the East Indies.
This detailed etching by Romeyn de Hooghe offers a visual record of colonial botanical interests during the late seventeenth century. The composition is divided into two distinct panels, each documenting the cultivation and harvesting of spices and materials from the East Indies. The left panel focuses on cinnamon and nutmeg, depicting figures engaged in the labour of gathering and processing these goods. The right panel shifts to clove trees and bamboo, set against a backdrop featuring a volcanic peak, which provides a sense of the geographical context associated with these commodities.
De Hooghe, a prolific Dutch artist known for his technical precision, employs fine lines to delineate the foliage, figures, and architectural elements. The work functions as both a scientific record and a narrative illustration, incorporating numbered keys that correspond to specific plants and activities. This systematic approach reflects the period's fascination with natural history and the global trade networks that defined the Dutch maritime economy. The inclusion of human figures provides scale and context, illustrating the methods of collection employed in these regions.
The print is framed by decorative vertical elements and includes cartouches with titles in both Dutch and French, indicating its intended audience among European scholars and merchants. The style is characteristic of the era's encyclopaedic approach to geography and botany, where the natural world was categorised and presented for study. The contrast between the foreground activity and the distant, often dramatic, topography creates a sense of depth, while the overall arrangement remains structured and informative. This piece serves as a historical document, capturing the intersection of colonial enterprise and the European desire to map and understand the resources of distant territories.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kaneel, nootmuskaat, kruidnagel en bamboe - Romeyn de Hooghe
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

