Kawasaki, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Katsushika Hokusai, depicting travellers resting by the river at Kawasaki station on the Tokaido road.
This woodblock print by Katsushika Hokusai depicts a scene at Kawasaki, a station along the Tokaido road that connected Edo to Kyoto. The composition focuses on travellers resting by the water, with a horse standing centrally as a pack animal. A boat traverses the river in the background, providing a sense of scale and movement against the stillness of the shore. Hokusai employs a restrained colour palette, using muted greens, ochre, and soft pinks to define the figures and the environment.
The print belongs to the Ukiyo-e tradition, which flourished during the Edo period. These works often documented the daily lives of common people, including merchants, pilgrims, and travellers. Hokusai demonstrates his ability to capture human activity with economy of line, focusing on the posture of the seated figures and the texture of the horse. The use of flat colour planes and clear outlines is characteristic of the woodblock printing techniques of the era, where each colour required a separate carved block.
Kawasaki was a significant stop on the Tokaido route, often associated with the crossing of the Rokugo River. Hokusai presents a quiet moment of respite, contrasting the arduous nature of travel with the calm atmosphere of the riverbank. The inclusion of traditional Japanese garments and travel gear provides historical detail regarding the period. The print reflects the interest in travel and geography that became popular among the urban population of Edo. By documenting these specific locations, Hokusai contributed to the visual record of the Japanese road system, which remained a subject of fascination for artists and the public alike. This work offers a glimpse into the social fabric of early nineteenth-century Japan, where the journey was as much a part of the cultural experience as the destination itself.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kawasaki, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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