Kennis van God brengt liefdadigheid voort - Dirck Volckertsz. Coornhert
Archival giclée
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Description
A detailed 16th-century engraving by Dirck Volckertsz. Coornhert, depicting an allegory of Charity inspired by the designs of Maarten van Heemskerck.
This engraving, titled Kennis van God brengt liefdadigheid voort, is a work by the Dutch humanist and engraver Dirck Volckertsz. Coornhert. The composition is based on a design by Maarten van Heemskerck, as indicated by the inscription 'Heemskerck inventor' in the lower left corner. The print functions as a complex allegory, typical of the intellectual climate of the sixteenth-century Netherlands, where classical motifs and Christian theology often merged.
The central figure is a female personification of Charity, depicted in a classical, idealized form. She is shown seated upon an eagle, a creature often associated with divine vision or the heavens. In one hand, she holds a flaming heart, a traditional symbol of burning love and devotion. Her other hand is raised towards a radiant orb, which bears Hebrew characters representing the name of God. This arrangement illustrates the philosophical premise that true charity originates from the knowledge and love of the divine.
Coornhert employs a precise engraving technique, using varied hatching and cross-hatching to define the musculature of the figure and the texture of the eagle's plumage. The lines are controlled and deliberate, characteristic of the professional printmaking standards of the period. The background remains largely atmospheric, allowing the focus to stay on the allegorical interaction between the human figure and the divine symbol. The Latin inscription at the base, 'Charitas hinc Virtutesque divinae promantat', translates to 'From here, Charity and divine virtues flow forth', further clarifying the moral message intended for the viewer. This work serves as a clear example of how print culture in the Northern Renaissance disseminated complex philosophical ideas to a wider audience, combining technical skill with humanist learning.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kennis van God brengt liefdadigheid voort - Dirck Volckertsz. Coornhert
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