Kintarō Throwing Beans at the Setsubun Festival - Torii Kiyonaga
Archival giclée
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Description
A traditional Ukiyo-e woodblock print by Torii Kiyonaga depicting the legendary Kintarō performing the Setsubun bean-throwing ritual to ward off demons.
This woodblock print by Torii Kiyonaga depicts the legendary figure Kintarō, or Golden Boy, participating in the Setsubun festival. Setsubun is a traditional Japanese event held on the eve of the beginning of spring, where participants scatter roasted soybeans to drive away malevolent spirits and invite good fortune for the coming year. Kintarō is shown in a dynamic pose, mid-motion, as he tosses the beans from a wooden box. Below him, several small oni, or demons, scramble to gather the scattered beans, creating a scene that balances folklore with domestic ritual.
Kiyonaga is recognised for his tall, graceful figures and his ability to compose scenes with clarity and balance. In this work, the artist employs a clean line quality that defines the forms of the figures against the paper. The colour palette is restrained, relying on deep reds and muted blues to provide structure to the composition. The hexagonal pattern on Kintarō's garment adds a decorative element that contrasts with the more fluid, organic shapes of the demons below. The print captures a moment of lighthearted mythology, reflecting the popular culture of the Edo period where such legends were frequently adapted into visual art.
As a master of the Torii school, Kiyonaga moved away from the more exaggerated styles of his predecessors, opting instead for a sense of realism in his human subjects. This print demonstrates his skill in balancing narrative action with a stable, well-ordered composition. The inclusion of the shimenawa, or sacred straw rope, at the top of the frame provides a subtle nod to the religious context of the festival, grounding the playful scene in its traditional origins. The work remains a clear example of the technical precision achieved by Ukiyo-e artists during the late eighteenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kintarō Throwing Beans at the Setsubun Festival - Torii Kiyonaga
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