Koning Willem I met een knielende vrouw - Jean Baptiste Ambroise Marcellin Jobard
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A nineteenth-century lithograph depicting a formal encounter between King William I and a kneeling woman, rendered with technical precision.
This lithograph by Jean Baptiste Ambroise Marcellin Jobard depicts a formal encounter between King William I and a kneeling woman. The composition centres on the monarch, who stands in military uniform, surrounded by soldiers holding rifles. The woman kneels before him, creating a clear visual hierarchy that emphasises the power dynamics of the era. The scene is rendered with the technical precision characteristic of nineteenth-century lithography, utilising fine hatching to create depth and texture within the figures and the architectural background.
The text inscribed below the image, 'Bonne femme en se met à genoux devant Dieu et non devant des hommes; expliquez-moi l'objet de votre demande', provides a narrative context for the interaction. It suggests a moment of royal clemency or a formal petition, common themes in historical prints of the period. Jobard, a lithographer and inventor, was known for his contributions to the development of printing techniques, and his work often captured contemporary political or social narratives with a high degree of clarity.
The print reflects the aesthetic values of the period, where historical and royal subjects were frequently documented through the medium of lithography for wider distribution. The monochromatic palette and the focus on human gesture and posture allow the viewer to engage with the narrative without the distraction of colour. The soldiers, standing in rigid formation, provide a stark contrast to the singular, humble figure of the woman, reinforcing the themes of authority and supplication. This piece serves as a record of the visual language used to communicate royal narratives during the early nineteenth century, demonstrating the technical capabilities of the lithographic process in capturing complex social interactions.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Koning Willem I met een knielende vrouw - Jean Baptiste Ambroise Marcellin Jobard
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

