Kozakken te paard en een smid bij een trekkar - Domenico Artaria
Archival giclée
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Description
A detailed 1814 etching by Domenico Artaria depicting Cossacks on horseback and a blacksmith repairing a cart.
This etching by Domenico Artaria, dated 1814, captures a moment of military transit during the Napoleonic era. The composition centres on a group of Cossacks on horseback interacting with a blacksmith who is attending to a broken cart. The scene is rendered with precise, controlled line work, typical of the period's printmaking techniques. The artist focuses on the narrative details of the encounter, from the weary posture of the figures to the mechanical specifics of the cart and the tools being employed for the repair.
Artaria, an Italian printmaker, demonstrates a keen eye for the textures of the period, including the rough fabric of the soldiers' uniforms and the weathered wood of the transport vehicle. The background remains relatively sparse, allowing the viewer to concentrate on the interaction between the soldiers and the local tradesman. The inclusion of a dog resting in the foreground adds a sense of grounded reality to the otherwise transient military scene. The work reflects the broader European interest in documenting the movements and daily lives of soldiers during the tumultuous years of the early nineteenth century.
Technically, the etching displays a mastery of cross-hatching to create depth and shadow, particularly in the depiction of the cart wheels and the horses' musculature. The print is a fine example of the genre scenes that were popular among collectors of the time, offering a glimpse into the logistical realities of army life. The work is preserved in the collection of the Rijksmuseum, where it is catalogued as part of a series documenting military subjects. The clarity of the lines and the balanced composition make this piece a representative example of early nineteenth-century European graphic art.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kozakken te paard en een smid bij een trekkar - Domenico Artaria
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