La Caricature (Bound Volume Cover) - Various Artists
Archival giclée
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Description
A high-resolution study of a 19th-century cloth-bound volume cover from the satirical French journal La Caricature.
This image depicts the exterior binding of a volume from La Caricature, a satirical weekly publication that appeared in Paris during the July Monarchy. The journal, founded by Charles Philipon, functioned as a vehicle for political dissent, frequently targeting King Louis-Philippe and his administration. The publication employed many of the era's most skilled lithographers and draughtsmen, including Honoré Daumier and J.J. Grandville, to produce biting visual commentary on the social and political climate of 19th-century France.
The cover itself is a study in material history. It features a deep, saturated red textile binding, typical of the period's library editions. The texture of the fabric is visible, showing the wear and patina accumulated over nearly two centuries. A darker, vertical strip runs along the spine edge, indicating the reinforced binding necessary to hold the heavy collection of lithographic plates and letterpress pages. The surface shows subtle variations in tone, with lighter patches where the fabric has thinned or faded, providing a tactile quality that speaks to its past life in a private collection or public archive.
While the interior of these volumes contains some of the most aggressive political satire of the Romantic era, the exterior remains austere. It lacks the elaborate gold-leaf tooling often found on luxury bindings of the time, suggesting a functional, utilitarian purpose. This object serves as a physical container for the radical ideas that once circulated through the streets of Paris. It represents the intersection of mass-produced print culture and the preservation of ephemeral political documents. For the modern collector, this print offers a glimpse into the material culture of the 1830s, capturing the aesthetic of a period defined by its rapid shifts in political allegiance and the rise of the illustrated press.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
La Caricature (Bound Volume Cover) - Various Artists
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