La Chanson du decervelage - Alfred Jarry
Archival giclée
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Description
A 1898 lithograph by Alfred Jarry, featuring the raw, absurdist graphic style associated with his Ubu theatrical productions in Paris.
This lithograph serves as the cover for the song sheet of La Chanson du decervelage, a musical piece associated with the 1898 production at the Theatre des Pantins in Paris. The work is a characteristic example of Alfred Jarry's graphic output, reflecting the absurdist and satirical spirit of his Ubu cycle. The composition features three figures, rendered in a deliberately crude, childlike style that rejects the academic polish of the period. These figures, dressed in the iconic pointed headgear associated with the Ubu character, are depicted with minimal anatomical detail, emphasising the grotesque and theatrical nature of the performance.
The text, integrated directly into the visual field, provides essential information regarding the production, including the involvement of composer Claude Terrasse and the publisher, Mercure de France. Jarry's hand-drawn lettering mirrors the raw, unrefined quality of the figures, creating a cohesive aesthetic that aligns with the avant-garde sensibilities of the late nineteenth-century Parisian theatre scene. The stark contrast of black ink on a light ground ensures the focus remains on the bold, gestural lines and the subversive energy of the imagery.
As a document of the Theatre des Pantins, this print captures the intersection of literature, music, and visual art that defined Jarry's creative output. It functions as both a functional promotional item and a piece of graphic art that communicates the chaotic, anti-establishment tone of the Ubu plays. The lack of traditional perspective and the focus on symbolic, rather than representational, form align with the broader shift towards modernism in European art at the turn of the century. This print offers a direct connection to the early days of experimental theatre, where the boundaries between high art and popular entertainment were frequently blurred.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
La Chanson du decervelage - Alfred Jarry
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