Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box - Totoya Hokkei
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A refined woodblock print by Totoya Hokkei depicting a traditional lacquer inrō and an ox-shaped netsuke, from the Spring Rain Collection.
This woodblock print by Totoya Hokkei originates from the Spring Rain Collection (Harusame shū), a series of surimono commissioned by poetry clubs in the early nineteenth century. Surimono were privately published prints, often distributed among members of literary circles to celebrate special occasions or seasonal changes. They are characterised by their high production quality, frequently employing techniques such as embossing, metallic pigments, and fine paper.
The composition presents a still life arrangement of personal accessories. An inrō, a traditional Japanese tiered container for small items, rests within an open wooden box. The inrō features a design of waterbirds amidst stylised waves, rendered in a muted palette that suggests the appearance of lacquerware. Beside the box sits an ox-shaped netsuke, the toggle used to secure the inrō to a sash. The inclusion of these objects reflects the refined tastes of the Edo period literati, who valued the aesthetic qualities of functional items.
Hokkei, a student of Katsushika Hokusai, demonstrates his technical skill through the precise line work and the subtle application of colour. The print includes calligraphic inscriptions, which are typical of the surimono format, linking the visual imagery to the literary interests of the original patrons. The composition is balanced, focusing on the textures of the wooden box, the smooth surface of the lacquer, and the organic form of the carved netsuke. This work provides a glimpse into the material culture of the period, capturing the quiet elegance of everyday objects elevated through artistic representation. The print remains a fine example of the collaborative nature of Japanese printmaking, where artists, poets, and carvers worked in concert to produce works of exceptional quality for a discerning audience.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box - Totoya Hokkei
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

