Lady with Black Hood and Umbrella Out Walking with Young Attendant - Suzuki Harunobu
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Suzuki Harunobu, featuring a woman and her attendant in a serene, coastal setting.
This woodblock print by Suzuki Harunobu depicts a woman in a black hood accompanied by a young attendant. The scene captures a quiet moment of travel, with the figures positioned against a stylised, wavy background that suggests a body of water or a coastal setting. Harunobu is credited with the development of nishiki-e, or brocade prints, which allowed for the use of multiple colours in a single image. This technical advancement transformed the medium, moving away from the limited palettes of earlier eras.
The composition relies on the slender, elongated proportions characteristic of Harunobu's figures. The woman, draped in a dark, hooded garment, holds a closed umbrella, while her attendant carries an open yellow parasol and a small lantern. The interaction between the two figures is subtle, defined by their posture and the gentle tilt of their heads. The artist employs a muted palette, relying on soft earth tones, charcoal greys, and pale yellows to create a sense of atmospheric calm.
Harunobu's work often focused on the daily lives of women in Edo-period Japan. His approach to figure drawing prioritises grace and poise over anatomical realism. The background, rendered with simple, rhythmic lines, provides a sense of movement without distracting from the primary subjects. The print demonstrates the artist's ability to balance negative space with decorative elements, such as the patterns on the attendant's kimono. This piece reflects the aesthetic sensibilities of the mid-eighteenth century, where the focus shifted toward lyrical, poetic representations of urban life and leisure. The print remains a clear example of the refinement achieved during the peak of the nishiki-e movement.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Lady with Black Hood and Umbrella Out Walking with Young Attendant - Suzuki Harunobu
Artist Biography
Suzuki Harunobu
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
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